I decided to start a new series of posts on this blog, and they'll be called Song Of The Week. Since my taste in music ranges from Metallica to Coldplay and from Gothminister to Mika, I figured It'd be a good idea to share the songs that I like with all of you! It's like the Behind The Songs posts I used to do with Muse songs, but with every artist/band I listen to. I pick a song weekly, and tell you the background story. Let's just begin with A Little Piece Of Heaven from Avenged Sevenfold.
Source: Google Images
I discovered the band Avenged Sevenfold (A7X) in the summer of 2010. I needed some new artists on my iPod and someone suggested A7X. I listened to some of the examples of their songs on iTunes and brought the song 'Nightmare'. After a few weeks, I just brought their entire discography because I found them really awesome. The song A Little Piece Of Heaven is from their fourth album, which is simply called 'Avenged Sevenfold'. I didn't like the album at first so I got it off of my iPod, but I listened to it again a couple of weeks ago and discovered that I did like the songs now. A Little Piece Of Heaven is definately my favourite song from the album, and one of my favourite songs in general.
The official music video with lyrics
According to the website songfacts.com, A Little Piece Of Heaven is "a romantic, yet very dark song, this is about a couple living together. The man fears that something will happed and their relationship will break up, so he takes control and kills his girl, preserves her and rapes her dead body when needed. Soon she comes back from the dead and kills her man the same way he did. He is brought back from the dead and they get back together after he feels remorse for what he did. They get married in death for the rest of their unnatural life before they start killing other people."
The lyrics from A Litte Piece Of Heaven are in the video, but you can also find them here
What do you thing of the first Song Of The Week post? Do you have any advice? You can always leave a comment if you want.
I've been playing this song non-stop today, so this Behind The Songs post is about Stockholm Syndrome.
About Stockholm Syndrome
While this song was written on piano by Matthew Bellamy, it was recorded on both guitar and synths. Matt then mixed both of the sounds together. The main riff was inspired by System of a Down. Standard set closer throughout the Absolution tour and sometimes during the Black Holes and Revelations tour. Usually multiple riffs are played after the song. An example of this is the L.A Staples Centre Gig in which more than eight riffs were played after Stockholm Syndrome.
Stockholm Syndrome is named after the Norrmalmstorg robbery of Kreditbanken at Norrmalmstorg, Stockholm in which the bank robbers held bank employees hostage from August 23 to August 28, 1973. In this case, the victims became emotionally attached to, and even defended, their captors after they were freed from their six-day ordeal. The term was coined by the criminologist and psychologist Nils Bejerot, who assisted the police during the robbery, and referred to the syndrome in a news broadcast. The majority of the hostages were okay, but one of them committed suicide and another changed his name to that of one of his captors and disappeared.
The song was added to Guitar Hero 3 on 8th May 2008 along with Supermassive Black Hole and Exo-Politics as part of a Muse track pack.
A cover of this song is featured on the String Quartet Tribute to Muse.
The effect that Matt uses on this song live on H.A.A.R.P (which he kicks on after the second chorus) is what's known as 'zero-through flange'; which, incidentally, is the earliest form of flange, back when recording engineers were pinching the actual tape to get the effect. However, zero-through flange is available on very few conventional flanger pedals. Matt achieves this effect by using his TC Electronic G Major (this effect is also available on the TC Electronic Vortex flanger, for those of you who want to replicate the sound at a much cheaper price).
When the chorus is played backwards, it sounds something like "You can't see me, we sneak off. I lost to love. Please ... save the night wind and high above, I lost to love. Sing, save". Allegedly.
Lyrics
I won't stand in your way
Let your hatred grow
And she'll scream and she'll shout and she'll pray
Here's my extra-long Behind The Songs post, as I promised. It's about the Exogenesis: Symphony, which exists out of three songs. Enjoy!
About the Exogenesis: Symphony
"Exogenesis: Symphony" is the last song on The Resistance,and is split into three four-minute tracks, each separately named. It features an orchestra of "about 40 musicians" throughout, being described by Matt as "almost purely classical in style" The song tells the story of humanity leaving a destructive Earth behind to populate elsewhere in the Universe.
Matt later said that "This is influenced by Rachmaninov, Richard Strauss, Chopin and Pink Floyd. It looks at the concept of 'Panspermia.' It is a story of humanity coming to an end and everyone pinning their hopes on a group of astronauts who go out to explore space and spread humanity to another planet."
The term exogenesis is the technical name for panspermia, the hypothesis that life is seeded across the universe from other sources, for example, arriving to Earth on comets, hence "cross pollination".
The song was first mentioned in March 2008 as a "15-minute space-rock solo" and mentioned by the band numerous times after that. Prior to that, it had been alluded to by Matt in 2007 as "a few bits and pieces that we kind of set to one side that were ... a little bit too progressive and symphonic for [Black Holes and Revelations]", suggesting that the band may have first attempted to record it in 2005.
The orchestral parts within the song are arranged by Matthew Bellamy. He stated he wanted to do this himself as he "never wanted to collaborate with a string arranger as they may make it 'theirs'". The orchestra which performed said parts was comprised of twenty-five musicians, who were layered into fifty parts, so as to keep production costs low.
Chris said in an interview the piano parts from the song have been around for quite a while. He mentioned Matt always "plays these beautiful piano pieces that we could never figure out how to work into a Muse song until now."
During the recording session with the orchestra, Chris "felt a bit jaded" and was pretty upset for not being able to see the recording due to being sick at the time.
Dom plays the Timpani in the beginning of Overture.
Matt has wanted but been reluctant to play Part 2 live because of its difficulty.
Exogenesis: Symphony Part 1 (Overture)
The first part of the song starts off mellow.
According to Matt, "Part 1 is a jaded acceptance that civilisation will end." The drum part displays a Massive Attack influence.
Lyrics:
Aping my soul,
You stole my overture,
Trapped in God's program,
Oh I can't escape
Who are we?
Where are we?
When are we?
Why are we?
Who are we?
Where are we?
Why, why, why?
I can't forgive you,
And I can't forget
Who are we?
Where are we?
When are we?
Why are we?
Who are we?
Where are we?
When are we?
Why are we in here?
Exogenesis: Symphony Part 2 (Cross-Pollination)
In the Muse Q&A in November 2008, Dominic Howard stated that the song would change genres throughout, indicating a significantly different middle section.
Matthew Bellamy stated, "Part 2 is a desperate hope that sending astronauts to find and populate other planets will be successful alongside the recognition that this is the last hope."
Lyrics:
Rise above the crowds And wade through toxic clouds Breach the outer sphere The edge of all our fears Rest with you We are counting on you It's up to you Spread our codes to the stars You must rescue us all Spread our codes to the stars You must rescue us all Tell us, tell us your final wish Now we know you can never return Tell us, tell us your final wish We will tell it to the world
Exogenesis: Symphony Part 3 (Redemption)
The track by track review by Gigwise describes that it concludes in a "suitably Muse-like way" and that "the song builds into an emotive and epic chorus where Bellamy and Wolstenholme share vocal duties".
Matt said, "...Part 3 is when the astronauts realize that it is just one big cycle, and recognize unless humanity can change it will happen all over again."
Lyrics:
Let's start over again Why can't we start it over again? Just let us start it over again And we'll be good This time we'll get it... Get it right It's our last chance to forgive ourselves
This was the last Behind The Songs post before my three-week holiday, so I hope this is enough ;) Bye!
I found out that if you talk with someone about 'Take A Bow', everyone thinks you mean Take A Bow from Rihanna. And I haven't met any non-Muser (yet) who knew that Muse also made a song that's called Take A Bow, long before Rihanna did. So, that's why this Behind The Songs post is about Take A Bow, the first song on the Black Holes And Revelations album.
About Take A Bow
Take a Bow calls on world leaders to take responsibility for their actions. Muse move through three musical stages: starting off as a classical piece before moving into a techno mid-section and a heavy "apocalyptic rock" ending. Initially described "a looping epic which morphs into a gothic fairytale".
Initially called "Hex", "Take a Bow" was originally going to be at the end of the album.Two months later, Chris indicated it could become the opening track. Put first on the album because it ends in the key of B which is the key of the second track. .
Matt said in a German Interview that: "The first song "Take A Bow", is about the feeling of the little man who lost control of anything and now wants to take revenge on authority".
Wolstenholme: We wrote it at the end of the Absolution sessions, and it sounds similar [to Absolution tracks]. It has evolved a lot since then, but it’s principle remains the same: a change of periodic agreements which are at the brink of exploding. Its structure is mathematical, the main idea being a formula with neither chorus nor verse. Dom’s never played like that, with very jazzy rhythms, slow ones, followed by more chaotic bits integrated into the whole.
Take a Bow was often played as a piano interlude between Citizen Erased and Space Dementia on the Absolution tour, as well as an intro to Feeling Good on The Resistance Tour.
Take a Bow is written in 3/4 time and moves at a tempo of 130 bpm. Bellamy's vocal range in the song spans from C3 to G4 in the modal register, and up to F♯5 in falsetto; one of the wider vocal ranges in a Muse song.
My Opinion
Black Holes And Revelations is my favourite Muse album, mostly because I just love the science-fiction/Mars/alien/conspiracy-theory sound the album has, and Take A Bow is a very good example of that sound. It's also pretty electronic, and it reminds me of the band Editors -you might know them from one of my previous playlists. The lyrics are also pretty awesome: it really tells a story, which I think is very well done.
Lyrics:
Corrupt
You corrupt
And bring corruption to all that you touch
Hold
You'll behold
And beholden for all that you've done
Spell
Cast a spell
Cast a spell on the country you run
And risk
You will risk
You will risk all their lives and their souls
And burn
You will burn
You will burn in hell
Yeah, you'll burn in hell
You'll burn in hell
You'll burn in hell for your sins
Oh, our freedom's consuming itself
What we've become
Is contrary to what we want
Take a bow
Death
You bring death
And destruction to all that you touch
Pay
You must pay
You must pay for your crimes against the earth
Hex
Feed the hex
Feed the hex on the country you love
And beg
You will beg
You will beg for their lives and their souls
Yeah, and burn
You will burn
You will burn in hell
Yeah, you'll burn in hell
You'll burn in hell
Yeah, you'll burn in hell
You'll burn in hell
Yeah you'll burn in hell for your sins
Music Video:
I'm having some problems with posting YouTube video's, so I'll give you the link. I'll edit the post when the problem is solved.
This time, the new Behind The Songs post is about Cave, another one of my personal favourites.
About Cave:
One of the first songs Muse ever recorded, first appearing on the Muse EP. It was subsequently re-recorded and released as a single before featuring on Showbiz. The versions on the Muse EP and Showbiz differ.
"Cave" was known as Nova Scotia before the release of the Muse EP.
Matthew Bellamy:
"The idea for Cave came from that rubbish American book, Men Are From Mars, Women Are From Venus. There's this bit about how men go into a cave when they get stressed and I think that's probably true, although, personally, I tend to let it out. I did have a bit of a tantrum in my hotel bathroom last night - but I managed to repair the toilet, so that's OK."
On a performance of the song at Melbourne ABC Studios in 2000, Matt says at the beginning of the performance that the song is "About an old friend of mine...he's not a friend anymore".
"Cave" is featured in the soundtrack for the movie Little Nicky.
A live favourite on the tours between 1999-2001. Bellamy disliked playing the song live due, firstly, to it being an old song and, secondly, to the sustained vocal note during the "cave" in "so come in my cave". Despite this, it was played for the first time in 8 years at Teignmouth on piano instead of guitar and half a step down, and is still continued to be played live.
My Opinion
This song is so cool. From the beginning to the end. The song starts with some alien-like bleeping sound or something, and then comes the awesome guitar riff, then the drums, and then Matt starts singing. Just awesome. And it's a great song to listen if you're angry or something. And about singing along: It's definitely harder to sing than you might think, particularly the chorus. So, yeah, you might want to get some singing lessons before trying.
Lyrics:
Leave me alone, it's nothing serious.
I'll do it myself, it's got nought to do with you And there's nothing you could do.
You can see it and you can almost hear it too, You can almost taste it, it's nought to do with you And there's still nothing that you could do. So come in my cave and I'll burn your heart away. Come in my cave, and I'll burn your heart away.
Please close your ears and try to look away So you'll never hear a single word I say and don't ever come my way.
Leave me alone, it's nothing serious. I'll do it myself, it's got nought to do with you And there's still nothing you could do.
So come in my cave, and I'll burn your heart away. Come in my cave, and arrest me for my mistakes. Yeah.
Music Video:
I hope you like the song too, and see you next time!
It's time for a new Behind The Songs post, and this time it's about Micro Cuts. Enjoy!
About Micro Cuts
Micro Cuts is a blend of baroque melody, high pitched vocals and metal. Matthew Bellamy uses falsetto and whistle register vocals peaking at G5 during the chorus and Ab5 in descending vocals towards the end. Matt has said the song was inspired by a dream he had in which he was in desert and there were giant blades swinging from the sky.
"Micro Cuts" has been speculated to have been inspired by Prelude N°3 in D minor (BWV999) by Johann-Sebastian Bach.
"This stems from hallucinations I had of triangular blades cutting into the back of my head. It's a feeling that information is being infiltrated into your brain. I'd seen a TV programme about psychological warfare and how the government could be controlling us using a type of radiation, sending pulses to our brains. So micro cuts are cuts into your being that you can't see or avoid" - Matthew Bellamy
Micro Cuts is a metal song, with elements of baroque music. It's written in D minor, and moves at a very fast tempo of 160 bpm. The time signature frequently shifts between 4/4 and 6/4.
Bellamy's vocal range spans from D4 to A♭5, and shares his highest recorded note with Showbiz. Similar to Supermassive Black Hole, Bellamy never uses the modal register, even on lower notes where falsetto is difficult to maintain. His tone is very different in both songs, defying the common belief that the falsetto register is limited in tonal variation.
Live favourite on the 2001 and 2002 tours. The first time Micro Cuts was played live, it featured different lyrics in place of "Micro waves me insane, A blade cuts in your brain" and the chorus. Early live versions featured an extended outro that featured parts of the song "Execution Commentary", as well as extra lyrics.
The descending vocals towards the end of the song have been played intermittently through time. During early 2001 it wasn't sung at all, and post 2002 it wasn't usually sung, although one example of the descending vocals post-2002 was at The Mercy Lounge in 2004. In the latter half of the 2005 tour, the post-final-chorus section was used as an outro to "Stockholm Syndrome" on at least two occasions.
"Micro Cuts" made a return to set lists during the 2007 European tour. The first performance of 2007 featured a largely clean guitar (without effects), while further performances feature a "new effect", which mimics the layering on the album recording. The descending vocals have not returned, while vocals have been clean so far. After the final chorus and before the final decent, Bellamy has used the Kaoss pad to create a sound similar to the Kaoss pad solo and outro used with live "Supermassive Black Hole" performances.
Played occasionally during the Absolution and the Black Holes and Revelations tours. A live version of "Micro Cuts" appears on the live albums Hullabaloo Soundtrack and H.A.A.R.P..
During The Resistance tour, the outro is played in place of the outro to "Dead Star".
Lyrics
Hands are red with your blame
Megaphone screaming my name
Whimpers someone I should've loved
Souls weeping above
I've seen
What you’re doing to me
Destroying puppet strings
To our souls
Micro waves me insane
A blade cuts in your brain
Sounds like forks on a plate
Blackboard scratched with hate
I've seen
What you’re doing to me
Destroying puppet strings
To our souls
My Opinion
Micro Cuts isn't one of my favourite Muse songs, but I so like it a lot. It's just, once I had a headache and I was listening to my iPod, ans suddenly it went on shuffle and Micro Cuts started playing. My. Head. Hurt. A. Lot. But it is a cool song. I mean, when we play Origin Of Symmetry in the car and Micro Cuts is on, I always have this 'Matt how can you sing this high'-feeling. I can sing pretty high, but when I sing this it's just screaming. I stopped trying.
Music Video:
The song doesn't have an official music video, but I found a version with the lyrics so you can scream sing along. I hope you like the song, and see you next time!
Sorry for the wirst two words, but 'hello everyone' was getting boring. I agree, 'sup guise' is awful. I will think of a new introduction.
This Behind The Songs post is about Nature_1.
About Nature_1
Rarely played live. This song was intended to be released on Origin of Symmetry. but had been written years before, having been played at both the Budstock and Plymouth Festivals in 1997. The song was recorded at the same session as Ashamed and Yes Please, but was not issued on any Showbiz singles, even Sunburn where the other tracks surfaced. It was carried over to Origin Of Symmetry and remixed for inclusion, but was removed as the band did not want to have too many entirely guitar based songs on the album.
Six different interpretations:
An affection for someone that has gone too far.
A song about God, saying how he isn't even listening to what people are saying i.e. in their prayers.
Another leader who is destroying the world, such as in Take a Bow.
About a person who, despite his hard work to the world around him (trying to be #1), he is not acknowledged. Now he is in a rage. He now blames the world for his failure and has plots to create havoc and destroy the world around him to set things right.
About talking to the mirror, talking to yourself. Blaming yourself for all the bad things that have happened to you. Looking at the thing you've become-old, broken, cold; and this person is made by the world around you.
A rejection of the fashion of environmentalism ("sick of trying to please you"), personifying the Earth as being cold and uncaring; it kills people with earthquakes it cannot even feel so "why should I?" (engage in environmentalism). That the world has gone so wrong, Nature itself is a disaster.
My Opinion
I didn't knew about the existence of Nature_1, until I got the Hullaballoo CD -which includes many other unknown songs like Map Of Your Head and Ashamed- for my thirteenth birthday last summer. I immediately loved the song, and since then it has became a song which I listen on pretty much every day I don't like the weather, teehee. Also, I love the Latin influence the song has, it's just so diffrent from what Muse usually does. And still, it has that 'Muse sound' that all their songs have. I guess that is one of the main reasons I like Muse so much, whatever they do, there's always that special sound that only Muse has.
Lyrics:
Conforming on a Monday Too often and too cold But you aren't even listening 'cause you are just Too old to feel an earthquake Or too cool to even care But you aren't even listening So why should I? You are a natural disaster And I've wanted you too much And now I'm gonna lose I've wanted you too much And now I've gotta choose You're the cause of all this And I'm sick of trying to please you Yeah And you're gonna feel my emotions coming Yeah Because you're the world Like a broken dam you're empty And all that's left are the sticks and stones That were built by other people And it really shows But you aren't even listening Because you are just Too old to feel an earthquake Too cool to even care But you aren't even listening So why should I? You are a natural disaster And I've wanted you too much And now I'm gonna lose I've wanted you too much And now I've gotta choose You're the cause of all this And I'm sick of trying to please you Yeahhh And you're gonna feel my emotions coming Yeahhh Because you're the world
Video:
I hope you guys like the song as much as I do. For now, see you next time!
♣ Gasoline Diamond ♣
Special thanks to MuseWiki.org for all the information about Nature_1
It's time for a new Behind The Songs post, this time about Sunburn!
About Sunburn
Sunburn is possibly about the band struggling money wise before they were signed.
Lyrics could also suggest the possibility of it being about a stripper or prostitute, or a strip club.
Alternative meaning: seems to be about a girl who was associated with the band before they made it, who Bellamy regrets having to leave behind, due to him seeing her as a star.
Matthew Bellamy declared that while the band were recording, this song was one of his favourites, but found it a bit weak at first: "I wanted to make it sound good. So that was when John Leckie, our producer, had this idea to work out the guitar part on the piano. That was the first time I played piano in years it seems, and I had to spend two or three days just practicing Sunburn, which is a pretty simple part".
According to Bellamy, Sunburn was composed whilst in the studio.
Sunburn was added to Radio 1's C playlist on, or shortly before, 31st January 2000.
As of 18th July 2007, the piano and drums from the intro of Sunburn were used in the BBC's TV coverage of the Open golf championship
An early demo recording of Sunburn features different lyrics and has an extended ending. The entire song is played on guitar, and is seemingly the original version, before John Leckie decided that a piano version would sound stonger. The lyrical focus of this early version appears to be the end of a relationship. Also a live preformance of Sunburn acoustic was broadcasted over the radio
Three remixes were created entitled "Sunburn (Timo Maas Sunstroke Mix)", "Sunburn (Timo Maas Breakz Again Remix)" and "Sunburn (Steven McCreery Remix)".
My Opinion
Sunburn is the first track on Muse' first album, and it was one of the first Muse songs I ever heard. I've always liked the song, but after watching the music video it became one of my favourites. You should really check it out, I think it's one of the best music video's ever made.
Also, I have this guitar book with the tabs from Showbiz, and I'm trying to play Sunburn over and over, but it's just too hard for me. If I ever join a band -which I really hope, by the way- it'd be awesome to cover Sunburn.
The song is awesome. It just is.
Lyrics:
Come waste your millions here
Secretly she sneers
Another corporate show,
A guilty conscience grows
And I'll feel a guilty conscience grow
And I'll feel a guilty conscience grow
She burns like the sun
and I can't look away
And she'll burn our horizons
make no mistakes
Come let the truth be shared
No one ever dared
To break these endless lies
Secretly she cries
She burns like the sun
And I can't look away
And she'll burn our horizons
Make no mistakes
And I'll hide from the world
Behind a broken frame
And I'll run forever
I can't face the shame
And I'll hide from the world
Behind a broken frame
And I'll run forever
I can't face the shame
Alternative Lyrics
Instead of
Another corporate show
It was changed to, on some live versions:
Just like a virgin blows
Whilst Showbiz was still being recorded it was:
Just like an angel glows
Demo version
Let the truth be known
Life just carries on
When you're dead and gone
I'll still feel your glow
And I'll believe
I'll still feel your glow
And I'll believe
I'll still feel your glow
She burns like the sun
And I can't look away
And she'll burn our horizons
Make no mistake
Let the truth be heard
True love is absurd
And I'll believe
Just to feel your glow
She burns like the sun
And I can't look away
And she'll burn our horizons
Make no mistake
She burns like the sun
And I can't look away
And she'll burn our horizons
Make no mistake
She burns like the sun
And I can't look away
And she'll burn my horizons
Make no mistake
Music Video:
I hope you'll like the song, and I also hope you've learned something you didin't knew yet, hehe.
See you next time!
♣ Gasoline Diamond ♣
Source: MuseWiki.org for the info and the lyrics, Weheartit.com for the awesome picture of MCR :D
Hi everyone, it's time for a new Behind The Songs post. This time, I'm going to tell you everything you need to know -and even more- about Feeling Good.
About 'Feeling Good'
The most popular Muse cover, and covered because of Matt's ex-girlfriend's liking of the song. The song was used by Nescafé for their advertisement but without the band's permission. The band denied them the use of the song because they didn't believe in having their music used to advertise supermarket products. Nescafé withdrew that version for a different version. Muse were subsequently paid £500,000 of settlement money, which they donated to Oxfam.
In an interview with Rocksound Magazine, Bellamy stated that "our interpretation is quite different from the original, but nowhere near as good. I chose it because it’s got brilliant lyrics, and it fits in with some of the other songs on the album. It’s about becoming you – getting rid of your past and thinking about leading a new life. I just want people to know that underlying what I do is something positive, and that I’m not here to kill myself or to destroy the situation we live in.”
In Taratata part 2,the host tells Matt that he has heard that Matt's mother likes the song. Bellamy replies with "loves the song."
"Feeling Good" was written by Anthony Newley and Leslie Bricusse for the musical "The Roar of the Greasepaint - The Smell of the Crowd", though was made famous when performed by the legendary jazz artist Nina Simone.
Matt's definition of Feeling Good: "The music is very dark and moody but as plain text the lyrics are just a cheesy, happy poem, just so amazingly positive, and It can make you feel like there's really something worth fighting for. It is depressing but it’s almost like humanity singing about how good things could be"
This cover was commonly played live between 2000 and 2003, but wasn't played between Laugardalshöll 2003 and Southside Festival 2006. It was once again played regularly live from 2006 onwards.
This song was played on Spanish TVE: Radio3 as a live recording, in which, after the second verse, Matt Bellamy started swearing in time with the music for two lines; they were told not to swear which angered Muse as they never swore in their music until then, so they swore extensively. Muse have been banned from Radio 3 ever since. During the performance, he sang "Fucking, fucking, fucking, fucking hell! Fucking, fucking little, fucking, fucking fuckers, yeah!".
In live performances, Matt sings the third verse through a megaphone.
My Opinion
Dude, Matt is fucking, fucking little fuckers, yeah! right. The music is very dark and moody, but the lyrics are a cheesy, happy poem, which makes you feel good. This was the song I played the most back when I had to travel to school by train. It usually was still dark in the morning, and this song made me want to get up and sing along. Never did that, through.
Lyrics:
Birds flying high you know how I feel
Sun in the sky you know how I feel
Reeds drifting on by you know how I feel
It's a new dawn it's a new day it's a new life for me
And I'm feeling good
Fish in the sea you know how I feel
River running free you know how I feel
Blossom in the trees you know how I feel
It's a new dawn it's a new day it's a new life for me
And I'm feeling good
Dragonflies out in the sun
You know what I mean, don't you know
Butterflies are all having fun
You know what I mean
Sleep in peace
When the day is done
And this old world is a new world and a bold world for me
Stars when you shine you know how I feel
Scent of the pine you know how I feel
Yeah freedom is mine
And you know how I feel
It's a new dawn it's a new day it's a new life for me
Butterflies, ooh
Oh, ooh ...
Ooooh... Freer than you... Ooooh...
Feeling good
Music Video:
This is the original music video. And, really, guys, watch the fucking fucking little fuckers yeah perfromance too:
Go Muse!
And, that was pretty much it for now. I hope you likd the song, and also liked the fucking fucking little fuckers yeah performance. See you next time!
